August 23, 2013.
Letâ€™s finally set the record straightâ€¦One of the longest running myths about tribal, non-Western tattooing is that it was â€œbroughtâ€ to Europe and the West by sailors associated with Captain Cookâ€™s voyages to Oceania. This is not true, of course, since there have been indigenous forms of tattooing practiced in Europe since the Neolithic (think Iceman) and onwards through time (Bosnian Catholics and Christian pilgrims to the Holy Land, etc.) prior to Cookâ€™s return. Sadly, peer-reviewed ‘scholarly’ tomes continue to perpetuate these ‘facts’ and one of my favorite (mis)statements is this doozy: “The first ever tattoo was reported by Captain Cook” (Lemma 2010:184). Although it’s clear that Captain Cook certainly didn’t re-introduce tattooing to Europe, he and his officers popularized the discussion of it through their writings, which were widely read at the time.
Another longstanding myth that continues to be perpetuated in the popular press, academic literature, and recent academic conferences I have attended is that of the Painted Prince Giolo (â€œJeolyâ€), who several authors have posited was the â€œfirst recorded tattooed person to be exhibited in Englandâ€ (Putzi 2006:14) or the â€œfirstâ€¦in Europeâ€ (DeMello 2000:47). Prince Giolo was purchased in India (via the Philippines) by William Dampier in 1691 and brought to England for display in a money-making venture. His home island was recorded as the Spice Island of â€œMeangisâ€ (todayâ€™s Miangis Island), located less than one hundred miles approximately due east of the southern coast of Mindanao.
Over the years, Jeoly has been described as a â€œVisayanâ€ (Ellis 2008:189) and especially a â€œMarquesanâ€ (Scutt and Gotch 1974:152), because his â€œpattern of tattooingâ€¦is similar to designs recorded in the Marquesas in the nineteenth centuryâ€ (Barnes 2006:39 citing Scutt and Gotch).
But are these aforementioned facts legitimate or the stuff of legends?
In 1566, a tattooed Canadian Inuit woman and her unmarked child were kidnapped by French sailors in Labrador and brought to Antwerp in The Netherlands. Here, they were put on display in 1567 for money at a local tavern and handbills survive documenting the sad event. This woman was the first tattooed Native North American drawn from life (Sturtevant 1980), a fact that busts another widely perpetuated tattoo myth. For example, many past and contemporary writers (too many to enumerate here) have wrongly identified John White as the creator of the â€œearliestâ€ portraits of tattooed Native North Americans (1590), Algonquian-speaking peoples he encountered in coastal North Carolina in the late sixteenth century.
Whilst I must confess that Antwerp is not in England (!), Martin Frobisher captured two Inuit in 1577 and brought them to England for display. One of his captives was a tattooed woman from Baffin Island who was later illustrated by John White. Therefore, it seems that there were at least two Indigenous tattooed people exhibited in Europe prior to the Painted Princeâ€™s arrival in 1691.
Of course, anyone with knowledge of Micronesian and Marquesan tattooing practices and styles would tell you, as Tricia Allen (1991) did long ago, that Jeoly wore Micronesian tattoos that closely resembled those from the Caroline Islands. However, I would like to add that elements of Jeolyâ€™s tattoos closely match those documented for men inhabiting the Palauan island ofÂ Merir (see Kotondo 1928) and other isles in the Sonsorol group, islands that lie approximately 400 nautical miles due east of Miangis.
Now back to the Visayans. As evinced from illustrations in the Boxer Codex (ca. 1595), Visayan tattooing is quite dissimilar as compared to Jeolyâ€™s Micronesian bodysuit. Although little information survives regarding the tattooing practices of the so-called Visayan â€œPintadosâ€ (â€œpaintedâ€ or â€œtattooed peopleâ€), Visayan tattooists were male, unlike their predominately female counterparts working in Palau and the Carolines, and Jeoly told Dampier that “one of his wives painted [tattooed] him.”
Concerning the â€œMarquesanâ€ attribution of Jeolyâ€™s tattoos, I think the greatest fault does not lie with Scutt and Gotch. Rather, it lies with those subsequent researchers who, many years later, continue to cite them – despite the data available to them – thereby failing to question the original analysis. (I should also note here that Marquesan tattooists were male, not female as in Jeoly’s case.)
Oh, and speaking of the most widely perpetuated (and recent) tattoo history myth of allâ€¦As of 2013, archaeological evidence indicates that the earliest form of human tattooing does not appear on the mummified corpse of the 5,300-year-old European Iceman. Instead, the oldest evidence appears as a 7000-year-old indelible mustache on the upper lip of a male mummy of the prehistoric Chinchorro culture of Chile, South America (Allison 1996:127; Krutak 2007:243). So my friends, cosmetic tattoos have been around for a very long time, demonstrating that the human desire to adorn the skin is indeed a very ancient tradition.
BUT WAIT A MINUTE… I think this myth – one that I have propagated inadvertently – is WRONG! Please follow this link for an update!
Allen, T. 1991. â€œEuropean Explorers and Marquesan Tattooing: The Wildest Island Style.â€ Pp. 86-101 in Tattootime: Art from the Heart (D.E. Hardy, ed.). Honolulu: Hardy Marks Publications.
Allison, J.M. 1996. â€œEarly Mummies from Coastal Peru and Chile.â€ Pp. 125-130 in The Man in Ice, vol. 3, Human Mummies, A Global Survey of Their Status and the Techniques of Conservation (K. Spindler, H. Wilfring, E. Rastbichler-Zissernig, D. zur Nedden, H. Nothdurfter, eds.). Vienna: Springer.
Barnes, G. 2006. â€œCuriosity, Wonder, and William Dampierâ€™s Painted Prince.â€ Journal for Early Modern Cultural Studies 6(1):31-50.
DeMello, M. 2000. Bodies of Inscription: A Cultural History of the Modern Tattoo Community. Durham: Duke University Press.
Ellis, J. 2008. Tattooing the World: Pacific Designs in Print & Skin. New York: Columbia University Press.
Kotondo, H. 1928. â€œThe Tattooing of the Western Micronesians.â€ The Journal of the Anthropological Society of Tokyo XLIII (483-494):129-152.
Krutak, L. 2007. The Tattooing Arts of Tribal Women. London: Bennett & Bloom.
Lemma, A. 2010. Under the Skin: A Psychoanalytic Study of Body Modification. London: Routledge.
Putzi, J. 2006. Identifying Marks: Race, Gender and the Marked Body in Nineteenth-Century America. Athens: University of Georgia Press.
Scutt, R. and C. Gotch. 1974. Skin Deep: The Mystery of Tattooing. London: Peter Davies.
Sturtevant, W.C. 1980. â€œThe First Inuit Depiction by Europeans.â€ Ã‰tudes/Inuit/Studies 4(1-2):47-49.